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In 2008 RMSP will celebrate its 20th year educating students in the field of photography. It marks a milestone in the schools history as well as some exciting changes to our Career Training program. Jeanne Chaput de Saintonge, school director and co-owner, sat down with Bob McGowan to talk about some of the changes.
There are some changes to the Career Training program for 2008. Can you tell us a bit about them? Yes, as a matter of fact we have some very exciting new changes to the CT program this coming year. We are continuing Summer Intensive (SI), our very popular course that we've been running for 20 years. Naturally, SI changes every year due to emerging technologies, but the strong foundation the program provides is stronger than ever. We've expanded our Professional Studies offerings to include courses on Fine Art and Stock, Adventure Photography and Editorial Portraiture. But the biggest change is that ‘Digital Intensive' is now ‘Advanced Intensive' and includes a significant component of marketing and portfolio development. You can take any of our three courses individually, but taken together, they provide a comprehensive 20-week photographic education.
What changes are being made to the curriculum for Summer Intensive 2008 that will make it stronger? The most significant change is that students will be shooting, editing and managing images digitally from day one. For the first time in the history of the course, you don't need a film camera to come to SI. Although traditionally we've taught many of the building blocks of image making using the black and white darkroom, this switch to digital provides a number of advantages. Digital cameras are a great instructional tool for teaching the foundations of photography and digital image editing provides the potential for tremendous creative growth.
Professional Studies courses have expanded to cover a three week time frame. Can you tell us why? We wanted our Career Training students to be able to take a more diverse selection of classes. In addition to adding three more courses to choose from, we've structured these courses to allow the student to design his or her own individual curriculum from the variety of offerings. The addition of a third week of Professional Studies provides the student with more flexibility in setting up a personalized line-up. We've designed "tracks" of interest that can give a student a range of options for a career path.
You mentioned that RMSP will be changing Digital Intensive to Advanced Intensive (AI). From where did Advanced Intensive evolve and why? And a follow up question, can you tell us more about the new course? Advanced Intensive evolved from Digital Intensive, a program we've taught for the past five years. In AI we'll continue with our fine tradition of providing professional digital training, but we'll also provide something more. We recognize that Summer Intensive graduates need support and access to facilities in order to continue to develop their work and their portfolios. We've included this component as well as more business and marketing classes in our AI curriculum to insure our students' professional success.
Advanced Intensive is the third step in the RMSP Career Training program. A student, who has mastered the fundamentals of photography and focused on a career path, is ready for it. AI is about working on a portfolio, defining a marketing plan and learning to work professionally with digital technology. Our commitment to students is that we provide them with an up-to-date look at how digital technologies are used today and teach them the skills they need to enter the marketplace and operate effectively within it.
You've told us about changes in Career Training. So are there new things going on with Workshops too? We've got a great line up of workshops for next year. We're repeating many of our most popular workshops and we've added some exciting new ones, including: Northern California's Wine Country Alaskan Adventure Indian Summer on the Upper Peninnsula Travel Photography – Creating a Sense of Place Storytelling Through Images Finding Your Focus: Sedona, Arizona Photoshop for the Landscape Photographer The Black and White Master Print Obviously digital technology plays a big role in photography these days. How do you feel about the direction the school is taking with regard to the digital age? The digital age has brought so many exciting new possibilities to my world, not only in terms of the tools and techniques that our students learn for shooting, editing and displaying photographs, but also in terms of the educational process itself! Digital technology is used everyday in the classroom and enhances the learning process in so many ways. Everything from instructor presentations, to students submitting images for critiques, to posting handouts as digital files, RMSP is embracing the technology and using it to its full advantage. |
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Thinking About a Digital Point and Shoot? Neil outlines important things to know about point and shoot cameras today.
Most of us who consider ourselves photographers (amateur and professional), love our DSLR cameras with their high quality and multitude of features. However, one problem we often have is how to carry a camera that size with us. I know I always think I will bring my camera with me, but then when it comes time to leave the house, I often leave it because it is just too much to carry.
So how about a digital point and shoot that will let me get great quality photos and will give me enough features to have some of the control that my DSLR has? This is a very complex subject when you first encounter buying a point and shoot camera. There are so many to choose from with so many features.
Let's start with the brands that make good cameras. The seven major players I found in my research are: Canon, Fuji, Nikon, Olympus, Panasonic, Pentax and Sony. All of these brands make very good cameras in many price ranges. Next, let's talk about the types of point and shoot cameras. Depending upon what I am looking for, when I think of point and shoot cameras, I usually think of five categories.
| 1. |
Basic Point and Shoot Camera – This is an inexpensive camera that is made to shoot mainly on auto, with very few adjustments, a zoom lens with less of a range and a camera not capable of making very large prints. Yet for a simple camera to always have with you, this would be great, especially if your prints are usually small. |
| 2. |
Intermediate Point and Shoot Camera - This is probably the camera we see the most and now days these cameras are very high quality and can give us some pretty good sized images. The number of mega pixels in these cameras is usually 5-10 and the lenses have more range. The size may not be as compact as one would like. |
| 3. |
Advanced Point and Shoot Camera – There are not nearly as many of these models out there, and they certainly cost more, but when you are really looking for a robust camera with very high quality images, this may be the camera. You will also have more manual control on a camera like this. |
| 4. |
Ultra-compact Point and Shoot Camera – These precious little cameras are so small that they are easily carried, but usually still have very high quality images. Some of the features may be limited because of the size. Many professional photographers carry one of these along with their DSLR, just to have a small camera that can be used easily when needed or as a backup camera. |
| 5. |
A Bridge Point and Shoot Camera – These cameras are the bridge between a point and shoot camera and a DSLR camera. These cameras usually are very good quality and have longer zoom lenses, so in many ways, they are like shooting with a small DSLR. These are cameras that I recommend less now, because the price of the DSLR has dropped so much that for a little more money, you can get a camera that does so much more. |
Some of the features to look for when buying a point and shoot camera:
| 1. |
Number of megapixels. I think that the pixel race has gone far enough. We can get great quality prints with even 6MP. Don’t pick a camera mainly for the number of pixels. |
| 2. |
Raw setting. Most point and shoot cameras have only jpeg settings and many times this is all we need, but for serious shooting, Raw has many benefits. If you are really serious, you may want a camera with Raw capability. |
| 3. |
The Lens. The zoom range on a lens is important, but it can be even more important where a lens starts. Most point and shoot lenses start with the equivalent of a 35mm lens, but a few start at 28mm lens equivalent. To people who travel a lot or shoot landscape, the 28mm lens should be very important. |
| 4. |
ISO range. You should really pay attention to this. Many new cameras have an ISO range up to 1600. This is where DSLR has a giant advantage. The very small sensors on today’s point and shoot cameras usually can’t give us good quality above 400 and many times even 200. Do not buy a camera because of a high ISO rating. If you need high ISOs, you need to use a DSLR. |
| 5. |
View Finder. I want an optical view finder like I am used to using on my DSLR. If you like holding the camera away from your eye and looking at an LCD screen, then most of these cameras will suit you. |
| 6. |
Image Stabilization. Some form of image stabilization, I think, is very important. These cameras are usually very small and harder to hold. This is an important feature. |
| 7. |
Shooting modes. For many point and shoot photographers, having more choices of mode for almost any condition, can be helpful. For a more experienced photographer, it may be more useful to have a camera that has more manual features. |
| 8. |
Amount of shutter lag. Most of us are familiar with the older point and shoot cameras where it took a second to take the photo once you pushed the shutter button. Check the camera you are thinking of buying to see how long the time is before the shutter takes the photo. |
| 9. |
More settings. Consider how the camera shoots up close, and the image quality in macro mode. |
| 10. |
Movie mode. Check to see the quality in movie mode and how long you can shoot before having to stop. |
These should be some of the important features that you look for in choosing a point and shoot.
Listed below is one camera in each of these categories that is of high quality. There are so many cameras on the market, that I have chosen Canon because it is the brand I know best. I have done much research and experimentation to find which ones in the newest crop of Canon point and shoot cameras are at the top. Saying this, I realize that there are equal quality cameras in most of the other brands. If you wish to buy another brand, check the features I have listed above.
Lastly, I would like to end with a note of disappointment in the camera companies for not coming out with that perfect point and shoot camera. Some of us remember a wonderful professional film point and shoot – the Konica Hexar. This camera had a 30mm, F2, fixed lens that was super sharp and fast.
We still have no Hexar in our digital cameras. Ricoh has their GR digital, which is getting closer. I think that the Canon G9 is somewhat close, but needs a faster lens and a larger sensor so it can shoot at high ISO's with great quality. I feel many pro and advanced amateurs would pay a premium price for such a camera. Let's let our dealers and camera companies know what we want.
Happy Shooting, Neil Chaput
| Basic- Inexpensive basic camera with good qulity photos. |
| Camera Model |
Canon A460 |
| Pixels |
5 MP |
| Lens |
38-152mm, F2.8-5.8 |
| Image Stabilization |
No |
| View Finder |
Optical & 2" LCD |
| Shutter Speeds |
15-1/2000 sec |
| Raw |
No |
| ISO Range |
ISO 80-400 |
| Power Source |
2 AA |
| List Price |
$114 |
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| Intermediate- A great camera with a very sharp lens, much better quality on lower ISOs. |
| Camera Model |
Canon A570 IS |
| Pixels |
7.1 MP |
| Lens |
35-140mm, F2.8-5.5 |
| Image Stabilization |
Yes |
| View Finder |
Optical & 2.5" LCD |
| Shutter Speeds |
15-1/2000 sec |
| Raw |
No |
| ISO Range |
ISO 80-1600 |
| Power Source |
2 AA |
| List Price |
$217 |
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| Advanced- Professional P&S, but ISO not useful past 400. At ISO 80, great quality. One of the best P&S made. Raw is wonderful. Hot shoe for professional flash use. |
| Camera Model |
Canon G9 |
| Pixels |
12.1 MP |
| Lens |
35-210mm, F2.8-4.8 |
| Image Stabilization |
Yes |
| View Finder |
Optical & 3" LCD |
| Shutter Speeds |
15-1/2500 sec |
| Raw |
Yes |
| ISO Range |
ISO 80-1600 |
| Power Source |
Lithium |
| List Price |
$437 |
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| Ultra Compact- Great ultra compact with a very sharp wide angle lens. High ISO not very useful. (SD 950 IS has optical view finder, but does not go as wide (35mm instead of 28mm. Also 12 MP instead of 8 MP). |
| Camera Model |
Canon SD870 IS |
| Pixels |
8 MP |
| Lens |
28-105mm, F2.8-5.8 |
| Image Stabilization |
Yes |
| View Finder |
No Optical, 3"LCD |
| Shutter Speeds |
15-1/1600 sec |
| Raw |
No |
| ISO Range |
ISO 80-1600 |
| Power Source |
Lithium |
| List Price |
$309 |
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| Bridge- Looks and feels much like a SLR camera - very long zoom range (12X), but not very wide (35mm). Hot shoe adapter for professional flash. Higher ISO's not as useful, but fairly fast lens. |
| Camera Model |
Canon S5 IS |
| Pixels |
8 MP |
| Lens |
36-432mm, F2.8-3.5 |
| Image Stabilization |
Yes |
| View Finder |
No Optical, Electronic 2.5" LCD |
| Shutter Speeds |
15-1/3200 sec |
| Raw |
No |
| ISO Range |
ISO 80-1600 |
| Power Source |
4 AA |
| List Price |
$347 |
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Our 2008 catalog went out the first of October. If you have not received yours please email us at rmsp@rmsp.com. Please check online for detailed course information.
It is a special treat to have our co-founders Neil and Jeanne Chaput de Saintonge both featured in our November newsletter. If you would like more information on the new Career Training courses that Jeanne introduced in her interview, click here to go to Career Training and take a look at Advanced Intensive and the Professional Studies courses we’ve added.
Additionally, follow the links to learn more about our *New* 2008 Workshops Jeanne mentioned.
Northern California’s Wine Country Alaskan Adventure Indian Summer on the Upper Peninnsula Travel Photography – Creating a Sense of Place Storytelling Through Images Finding Your Focus: Sedona, Arizona Photoshop for the Landscape Photographer The Black and White Master Print
Neil went the distance this month with his thorough explanation of Point and Shoot cameras. Here are some additional links if you are considering making a purchase.
Usa.canon.com- additional information on the cameras found on Neil’s list. Photo.net- reviews of the equipment you may be considering buying (plus a whole lot more!). Bhphotovideo.com- a great source for purchasing that point and shoot once you’ve done a little research. Competitive prices and a great selection.
Our Weekends program kicks off in January going to 11 cities in 2008. Are we coming to yours? Check it out and see!
| Austin, TX |
Jan 19-20 |
| Atlanta, GA |
Jan 26-27 |
| Jacksonville, FL |
Feb 9-10 |
| Minneapolis, MN |
Feb 16-17 |
| Virginia Beach, VA |
Feb 23-24 |
| Asheville, NC |
Mar 1-2 |
| Missoula, MT |
Mar 8-9 |
| Denver, CO |
Mar 29-30 |
| Des Moines, IA |
Apr 5-6 |
| Cleveland, OH |
Apr 12-13 |
| Madison, WI |
May 3-4 |
For more information or to register please call our office and contact Michelle or Bob at 800.394.7677
Happy Holidays from all of us at Rocky Mountain School of Photography!
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