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Happy New Year! 2010 is shaping up to be a great year for RMSP and photography. This is the perfect year to make a move toward photography as a profession and Neil has some great insight on the topic. His article this month discusses different areas of professional photography and start up considerations.

The RMSP Gallery is showing A Dog and His Girl until the end of the month. Check out the online gallery if you haven’t seen this completely unique collection of photography. Our February/March artist is Tom Robertson, biking enthusiast, Career Training assistant and former student. Tom’s love of cycling and his beautiful aesthetic combine for stunning photographs. See more about his upcoming exhibit.

December’s Assignment gallery is all about the Holidays. Take one more peak at the season of giving before we pack it away until next December. Looking for motivation? Check out January’s Black and White assignment.



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Considering Genres of Professional Photography, Part I

One of the most exciting things about the field of photography is its diversity. Subject, location, technique, and education all vary depending on genre—of which there is certainly something for everyone: nature, adventure, portraiture, and food, to name a very few. This diversity caters to a broad range of interests, and having been in the field for more than 35 years, I have seen many creative combinations to suit professional and personal preferences.

I spend much of my workday meeting with new photographers, discussing their strengths and weaknesses, and brainstorming how their skills best lend themselves to particular areas in photography. Just last week I spent an afternoon with an 18-year- old student who received a new camera for Christmas. We covered the technical capabilities of her equipment; she now wants to meet again, this time to discuss her professional potential. Meetings like this remind me how difficult it can be for any photographer to adequately assess their work and recognize their strengths—as well as how to take that first step toward making a living as an artist.

This month I am going to briefly discuss different areas of photography. I will touch upon considerations of entry like education, equipment costs and competition. Though certain specialties require more than others, most photographers should begin with some sort of formalized education—a notion fading due to digital photography and the perception that just because one sees a nice-looking image on the back of their camera means they’re a photographer. And while there are exceptions, experience has shown me that to ensure consistently well-composed and unique images, schooling (whether an intensive program, community college or four-year school) is critical. Most week or weekend-long workshops here or there won’t cut it, as they aren’t as strategically designed as a career program in terms of building fundamental skills. Fortunately, we have rich options here in the States and Canada, and many recognized professionals who also mentor and teach.

NATURE- LANDSCAPE/WILDLIFE/MACRO (close-up) PHOTOGRAPHY. Being located in Montana, RMSP nature classes are always top sellers- for both workshops and career courses. In fact, our career training class in this area always has a waiting list. To most amateurs, it seems like an easy way into the profession. In reality, however, this is a crowded field that requires substantial training, much of which focuses on composition and creating a unique personal style. Landscape and macro are often areas that professional photographers will dabble in to generate extra income. Wildlife is much more specialized and even more competitive but unique wildlife photos sell well, especially those featuring mothers and young, young by themselves and/or out of the ordinary scenes. Equipment for landscape and macro is not overly expensive but appropriate lenses to shoot wildlife can be. High quality photos are an expectation, so having a good body and professional lens is important. Proper education must include substantial time in the field, frequent critiquing and style development. Business skills and self-marketing are critical.

OUTDOOR/ADVENTURE PHOTOGRAPHY. For folks who love the outdoors and working with people, this is a wonderful field. Many RMSP graduates make a full or part-time living as outdoor or adventure photographers. It is important to learn from an expert in order to get appropriate training in technique, equipment, interpersonal etiquette, and business and marketing. A specialist can also critique work with an eye toward current market trends. This and the previous area of photography are sometimes combined for a career in outdoor photography.

PORTRAITURE. A skilled portrait photographer can make a good living almost anywhere he or she wishes to live. Adequate training should include etiquette when working with people, posing, lighting (natural, strobes, and studio), equipment, business and marketing. Areas of expertise in this field include child, pet, environmental, and studio photography. Many young parents begin on this path by taking pictures of their own children and after appropriate training end up as successful child or family portrait photographers. RMSP has graduated a high number of portrait photographers now successful in their field.  

WEDDING PHOTOGRAPHY. Most wedding photographers love what they do. They get to work with people, often travel to beautiful places, and make a steady income. In fact, with proper training and a good eye, shooting weddings can be a dependable and lucrative profession. Training should includehow to build an impressive, professional portfolio as well as business and marketing skills. Many consider wedding photography a part of a portrait business, as they require comparable skills and equipment.

PRODUCT PHOTOGRAPHY. This can be an extremely well-paying field, especially in larger cities. We teach the fundamentals of product photography in Summer Intensive, but those serious about it continue their training with, and ideally then assist, an expert. Many of our students have done just that and are now successful on their own. Equipment is usually expensive.

FOOD PHOTOGRAPHY. Food photography—related to product photography but specializing in prepared food—is an exciting and often overlooked specialty. The highest demand for these skills is in metropolitan areas. This genre requires considerable equipment, training and work with studio lighting.

ARCHITECTURAL PHOTOGRAPHY. This is another area that requires specialized training and equipment. Most medium to large towns need good architectural photographers. And for a photographer looking to make extra money, this is a great skill set, as there are always business owners seeking professional shots of their buildings (interior and exterior) for marketing purposes. To be a full-time architectural photographer with ambitions to shoot for such esteemed publications as Architectural Digest, however, advanced training and more expensive equipment is required.

DOCUMENTARY PHOTOGRAPHY. This is one of my favorite fields. It is a great way to educate others on issues and inspire action around a cause. And what photographer doesn’t want to shoot for National Geographic or another publication of similar prestige?! Often, however, one must not only be a talented photographer, but a strong writer. Or, you can always team up with a writer who complements your shooting. I have shot several projects with a good friend who is a writer; she writes while I shoot, and our collaboration brings dimension to topics that wouldn’t otherwise be there if we just worked alone. Equipment needs are minimal and not expensive. We have many graduates who make a good part of their income from documentary photography.

I will continue this discussion next month with other areas of photography. But whatever area draws you, it is important to realize that the more broad your initial course of study, the better, as many photographers make their living shooting across a wide range to ensure a successful business.

When I lived in Atlanta I had a friend who made six figures as a food photographer. On weekends he’d travel to the Blue Ridge Mountains in northern Georgia to shoot landscapes and flowers. He’d then sell these photos as greeting cards, calendars, posters and fine art prints. Another accolade for our profession: How many people do you know who love what they do so much that their hobby and career are the same?!
  


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The Holidays provide great opportunities to photograph. December’s assignment was to creatively document the elements of this holiday season. This month’s participants did an excellent job at presenting their view of the holidays. View the assignment gallery.

January’s assignment takes a look back at the fundamentals of photography. This month participants are asked to submit black and white images. Black and white photography brings attention to contrast and form in an image. The exercise of seeing past the color and focusing on simplicity in composition is a great way to start your photographic year! See January's assignment details.

 




With the inauguration of the Rocky Mountain School of Photography Gallery in April 2009, we are pleased to recognize the exhibitions and events we have hosted honoring the work of RMSP instructors, assistants and students, including: Eileen Rafferty, Jeffrey Scott French and Steve Stockin, William Albert Allard, Robert Glenn Ketchum and Athena Lonsdale.

The transition from Gallery Saintonge to the RMSP Gallery has been exceptionally positive and it has been rewarding to create a space to exhibit work that is in some way connected to making RMSP what it is. We are grateful for our staff and students, their hard work and contributions, and also for the community that has given us continued support.

We are excited to embark on a new year of excellent exhibitions, including the work of: Tom Robertson, Joe Lavine, Billy Howard and Elizabeth Stone, as well as an outstanding, RMSP-graduate exhibition. We look forward to sharing it with you.

Rocky Mountain School of Photography Gallery is pleased to announce the upcoming exhibit, Tom Robertson: Cycling Photographs.
 
With an extensive background of varying capacities in the realm of all-things-bicycle, it is no surprise that the mass of Tom Robertson’s work includes cycling photographs. While he refers to his work primarily as documentary (in that he “loves to document”) and he consistently makes mention of his draw toward “motion,” his photographs convey a special intimacy of how deeply he knows his subject matter. Just as they are raw with the grit of hard riding, one can almost smell the sweat on the riders and feel the elements touching their skin; the photographs present a romantic allure in which Tom has captured grace in movement and elegance in form. The Cycling Photographs marry the cyclists and the landscape into one – balancing the stillness and natural beauty of the land with the fleeting, natural beauty of the bicycle and rider.

Tom has worked as an assistant for RMSP since completing the Career Training program in 2008. He brings technical and instructional support to the Career Training Program and Workshops. He currently resides in Missoula, Montana and works as an independent and freelance photographer. His work has been exhibited locally and nationally, as well as in publications including Adventure Cyclist Magazine, Montana Headwall and Bicycling, among others. He regularly contributes to online publication blogs for Hellgate Cyclery and Freeman Transport. An avid cyclist himself, Tom also worked as a cartographer for Adventure Cycling Association for 14 years and has guided trips around the country.
  
 



Tony Rizzuto's new instructional DVD, Photographing People: Simple Techniques Using Light, Composition and Connection is now available. Tony explains, "It's the video tutorial I wish I'd had for the first five years of my photography career." It was created to help any photographer understand and use light more effectively, design more concise compositions and create more effective relationships with their subjects. Although both beginning and intermediate photographers will find it indispensable even advanced photographers will discover tips and tricks for getting better photographs of people.

Topics covered:
Styles of Portraiture
Composition for People
Using Light
Exposure for People
White Balance
Flash Basics
Building a Relationship
The Basics of Posing
Portrait Retouching Using Photoshop and Lightroom

It's designed to be viewed on any computer with a DVD drive.

The DVD will be available for purchase at the RMSP Weekends for $45 or call the office and speak with Melanie to order it for $49 plus shipping.
 
 




It is the beginning of a new year. Our field notes section this month covers opportunities to invent or reinvent your photography. Beginner or aspiring professional, we have a course that will fit your 2010 photographic goals.

Just getting started? Try our Foundation workshop series. A progressive, skill building series that moves you in the direction of a life-long love and practice of photography.
• 
Basic Photography
• Intermediate Photography
• Advanced Photography
• 
Lightroom for Photographers

Planning your vacations for 2010? Take a week in a beautiful location, have a great time and achieve some of your photographic goals. Check out our Calendar for workshops that best fit your schedule.

Neil’s article this month talks about different genres in professional photography. Professional Studies courses take the time to focus specifically on what is important in that area of photography. These courses can be taken independently* or as part of our 20-week Career Training program.
• 
The Business of Outdoor Photography
• Photographing and Writing for Publication
• Editorial Portraiture
• Environmental Photojournalism
• The Modern Studio
• Documentary Photography: Working in Projects
• Adventure Photography: People in Action
• Wedding Photography
• The Art of Food Photography

*Portfolio requirements if you are not a graduate of Summer Intensive.

Are you ready? Now is the time! Take the leap- follow your inner passion!

Our Career Training program is a comprehensive learning experience. Whether you want to become a professional or just shoot like one, opportunities abound. Take one session or all three. Explore your passion.

Have a summer off? Summer Intensive: A Foundation in Photography teaches the fundamentals of photography. Career oriented or not, this is a quick, intensive way to launch your photography.

Always wanted to shoot weddings or sell cards and calendars to earn additional income? Look at our Professional Studies courses-- 9 options that teach you the specifics of a photographic specialty including special equipment needs, business and marketing, what to shoot for and legal concerns. 

Ready to move your professional aspirations to the next level? Advanced Intensive: Digital and Professional Development focuses on the elements that will make your career viable—portfolio development, web presence, and branding, in addition to advanced Photoshop and Lightroom techniques, and designing and producing a commercial shoot.

Contact BobM@rmsp.com or MarieO@rmsp.com for more information on fulfilling your dream of becoming a professional photographer.

Come visit us at the NANPA (North American Nature Photographers Association) Summit, Feb 16 - 21 in Reno, Nevada.

Our January and February Weekends include:
• 
Austin, TX January 23-24
• St. Louis, MO January 30-31
• Tulsa, OK February 13-14
• Seattle, WA February 20-21
• Atlanta, GA February 27-28
If we are in your neighborhood we’d love to see you!

 

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216 N. Higgins Ave. | Missoula, MT 59802 | 1.800.394.7677 | © 2011 Rocky Mountain School of Photography